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Monday, February 20, 2012

Exposure’s enticing entry level - The Star's Audiophile

Exposure’s enticing entry level

By KHAIRAN NASIR

A Brit veteran proves excellence can exist at the modest end of the price spectrum.
EXPOSURE 1010 amplifier / CD Player
Price:
RM2,600 / RM2,500


THE 1010 series from Exposure Electronics marks a new baseline for the British stalwart, whose products include the 3010 and 2010 range of components, now in S2 incarnations. The 1010 represents the starting point to Exposure ownership, making it relatively more affordable across a broader customer stratum.
At what price, you ask? While Exposure is not exactly the first brand to come to mind when one considers serious money components and systems (bar the MCX series), it has never really been at the entry-level end either. Owning an Exposure component myself, I pondered upon this as I unpacked the single box containing both units – a CD player and integrated amplifier.

10 on 10: The Exposure 1010 CD player and integrated amplifier are high on the bang-for-buck factor.
Under-exposed?
The overall family visual cues are unmistakable, finished in the now-familiar Exposure silver with blue LED display for both the CD player and amplifier.
Stacking them on the equipment rack makes a strong case for a one-brand system; they may look restrained, but there has seldom been more of a feel that both boxes are truly made for each other.
It would seem that Exposure is sticking to a tried-and-tested formula, at least where the 1010 amplifier is concerned.
A beefy power supply underpinned by a high-capacity toroidal transformer is the core basis for the 50-Watt unit.
While this may sound a little short-changed in this day and age, I have this sneaking suspicion it will be more than sufficient to drive day-to-day speaker loads with reasonable ease. The 1010 amp is physically ever-so-slightly slimmer than its 2010 and 3010 brethren, although heft is a giveaway that some corners were trimmed to reach this price point.
Its fighting weight of 5kg gives more than half away to the 3010S2 I own.
That said, features are respectable if not outstanding – five line-level inputs (including a dedicated fixed-gain AV input), a set of record outputs and a pair of speaker outputs.
The 1010 CD player, on the other hand, is a bit more of an unknown quantity to me.
Externally, it appears to share the same chassis casework as the costlier 2010 and 3010 units but not much is immediately evident from the sparse owners’ manual, apart from the usual output level/frequency response specs.
One will probably assume the chipset used in the 1010 CD player is a scaled-down derivative of the PCM chip used in its elder siblings. Despite that, CD player provides for an optical output to connect to external DACs, so some measure of future-proofing is provided for.
A rather rudimentary remote control unit comes with both the components, and can be used to control both units together.
I also managed to use my 3010S2 remote without issues, at least the programming protocol is fairly spot on with the rest of the product family. Score one for Exposure in this regard.
What’s interesting to note is that both units are made in Malaysia.
While I’m not entirely familiar with Exposure’s manufacturing practices, I can’t detect much difference (if at all) in terms of fit and finish of the 1010 series components compared with the 3010S2.
Perfect pair
The 1010 may be entry-level in Exposure’s stable but I was surprised at what this combo brought to the fore.
The sonic signature was unmistakably Exposure, the house sound instantly recognisable – fast yet weighty, with neutral-ish mids and a sparkling top-end.
The big party trick the 1010 combo manages to pull off is in how organic the overall sound is. I kept going back to my reviewing notes and lingering on “holographic” as an adjective. This combo pulls a convincing “speaker disappearing” trick, not something you would normally find in hi-fi equipment at this price point.
Of particular note, my Audio Physic Yara 2 Evolution floorstanders hooked up to the 1010 combo felt as if they had grown an octave or two lower in the frequency spectrum.
The sound was undoubtedly weighty and anchored proceedings with a very distinct rhythmic foundation. Notes started and stopped on a dime and coupled to the inherent Exposure family sound, the result was a bottom end with impressively little overhang.
Substituting the 1010 CD player with my Audiolab 8200 CDQ yielded dividends but what was surprising was that differences were not as night-and-day as anticipated.
Yes, there was a heightened sense of sophistication and realism; yes, there was better resolution of leading edges and better articulation and control at the frequency extremes. And yes, there was an appreciable broadening of the soundstage.
However, these were apparent only if one was working hard at consciously looking out for them.
I also added my Rega P3/RB301/Benz Micro MC Gold/Trichord Dino rig into the mix for good measure.
The 1010 amp was impassive to all this and took the analog source in without batting an eyelid. The P3’s musical integrity was largely intact and I found myself hard-pressed to detect anything detracting from its overall honesty.
Of course, a comparison between the 1010 series and its more expensive siblings was inevitable. I can comfortably attest that the differences are there – my earlier observations on control over leading edges and frequency extremes were more effortlessly articulated by the higher grade siblings. But on their own, the 1010 series component’s achievements were indeed pretty high.
One for the underdog
You will gather by now that I found the Exposure 1010 combo to be pretty impressive.
If five grand is your ballpark for a CD player and amplifier, these two make a very persuasive case for themselves, taking you closer to the next step than other pairings. They will likely be more sympathetic to quality upgrades than most others – money well-spent in my books for what you get in return.
Exposure has managed to pull off a good one with this pairing, extracting such a high degree of performance at the price.
Of course, in the final scheme of things, everything is built to a price, which is precisely why the high-end market exists. Think of it like this - you are more likely to do wrong than otherwise by not giving the 1010 components due consideration.

Sunday, February 12, 2012

Used Item: Harbeth P3ESR with stands


Harbeth P3ESR with Sam's 24" open frame speaker stands.
Age of item : Late 2010 (S/N : 560)
Item not being used for about a year and kept in box as owner has a pair of HL5.

Condition : 8.5/10. With original box and owner certificate.
Price : Sold

Stereophile's review :
http://www.stereophile.com/standloudspeakers/harbeth_p3esr_loudspeaker/

Please contact Max 017-6778820 or Ben 012-6409699 or e-mail to sales@htkaki.com

We are open on Sundays.

Thursday, February 9, 2012

Used Item: PrimaLuna Prologue Two



Power 40 Watts per channel
Frequency Response 20Hz - 30 kHz +/- 5 dB
Input Impedance 65k Ohm
Input Sensitivity 240 mV (for rated power at maximum volume setting)
Maximum Gain 37,5 dB
Net Weight
37.5 lbs / 17 kg
Dimensions 15.5"x11 x7.5" / 395mm x 280mm x 190mm (L x W x H)
Inputs
4 pairs RCA
Outputs 4 & 8 Ohm Speaker Taps
Tube Complement 4 x KT-88, 2 x 12AX7, 2 x 12AU7
Condition: 9/10. With Cage and Box.
Price: SOLD
For more information:
http://www.primaluna.nl/products_subpage1a2s.htm

For negotiations or arrangement for demo, please contact Max 0176778820 or Benjamin 0126409699.

Sunday, January 22, 2012

Happy Chinese New Year















We would like to take this opportunity to wish all of our customers, friends, fellow blog readers who celebrate the Lunar New Year, the best of health, abundant wealth, joy and happiness. Have a safe journey to those who will be travelling around.

恭喜发财


Wednesday, January 18, 2012

Odyssey Khartago Stereo Extreme SE power amplifier


Although the 110Wpc Odyssey Khartago solid-state stereo amp has been around for better than a decade, it was new to JV until amp-connoisseur Alon Wolf (of Magico) told him he used it in his shop and it was excellent. The Wolfman was right. Although the Khartago doesn’t have all the articulation and transparency of the standard-setting $40k Soulution 710 stereo amplifier, it has a shockingly similar balance (albeit a bit warmer and less transparent), no discernible grain, high resolution, and a deep, wide soundstage. Positively, the best budget amp JV has heard (and the $2k Odyssey Stratos monoblocks are great, too)

JV - Jonathan Valin

Introducing the new member to our Odyssey family, the Khartago Stereo Extreme SE. 
Specifications:
  • 2 x 110 Watts RMS @ 8 Ohms
  • 2 Ohm load stable
  • Class A/AB
  • 2 - 400,000 Hz frequency range
  • 120,000µF memory
  • 40 amps current delivery
  • <0.04% THD (not audible)
  • >500 continuous damping factor
  • Input impedance 22K ohms
  • DC offset <1 mV
  • RCA inputs
  • 400 VA Plitron transformer
  • Sanken Epitaxial Planar Transistors 2SA1216 & 2SC2922
  • Anti vibration dual thickness PCB
  • Power consumption when idle ±30Watts
  • 4 internal fuses 250V/6.3A, 5x20mm, fast blow
  • Higher performance parts:
    Nichicon Muse capacitors, Vishay/Dale resistors, extra WIMA metal film capacitors
  • Price: RM 6,200

Reviews:

Do contact us for more information. We are open on Sundays!

Friday, January 13, 2012

DSPeaker Anti-Mode 8033C and 8033S are here.







Anti-Mode 8033 Automatic Subwoofer Equalizer

Finland based company, DSPeaker Anti-Mode 8033C and 8033S are finally here in Malaysia.

Anti-Mode 8033C (Retail Price : RM1,600.00)











Anti-Mode 8033S (Retail Price : RM1,900)










A typical listening room resonates in low frequencies. Because of this, even the best subwoofer may not sound good enough. Much of the frequency content get masked by the resonances, introducing unwanted characteristics (such as "slowness" and "boominess") to the sound. This problem is most pronounced when subwoofer is placed close to walls or corners of the room.

The Golden Ear awarded Anti-Mode™ technology eliminates the resonances of the speaker and the room by equalizing both amplitude and time domain responses using very accurate digital signal processing filter structures and anti-phasing technology. This way, the listener can hear frequencies down to the cut-off frequency of the subwoofer. Transient response is also drastically improved in the process, making bass sound faster and more controlled.

Anti-Mode™ 8033 is very simple to use. The calibration process is completely automatic: it generates frequency sweeps to the desired calibration point (or multiple points) and measures the combined transfer function of the subwoofer-room system.

Anti-Mode™ 8033 uses regular RCA connectors, which can be found from vast majority of home theater equipment. Input to the device is taken from the line level subwoofer output of the (pre-)amplifier. Output is connected to the line level input of the subwoofer.

Features

  • Measures and corrects the combined frequency response of your subwoofer system and the listening room
  • User-friendly automatic calibration procedure
  • Can be used with any active subwoofer
  • Minimum phase filtering, no significant algorithm delay
  • Correction range 16-144 Hz
  • Three user-selectable additional equalization filters
  • Single or multiple measurement point calibration
  • Measurement microphone is included
  • Ultra-compact enclosure: 126 mm x 80 mm x 28 mm (5" x 3.2" x 1.1")
  • Low power consumption: 1.5 W












More connection option :

http://www.dspeaker.com/en/technology/anti-mode-technology/anti-mode-connection-examples.shtml










Wednesday, January 11, 2012

Introducing the Odyssey Audio Stratos HT-3 Plus SE Power Amplifier


We are proud to introduce you the latest member of our range of products, Odyssey Audio's Stratos HT-3 Plus SE power amplifier. Our aim is to bring you one the best amplifiers that will not cost you an arm or a leg.

Odyssey Audio is essentially an extension of Klaus Bunge's German Acoustics, which started distributing high end audio products from Germany in 1988. A year later, German Acoustics imported the first Symphonic Line amplifiers. Over the years, German Acoustics succeeded in establishing Symphonic Line as a true reference line of audio products, and won over a highly dedicated and loyal base of Symphonic Line owners. 
 
At the end of the '90's, plans were made to manufacture a more cost effective amplifier and preamplifier line here in the US. Due to the long relationship with German Acoustics, Symphonic Line designed the circuitries for the newly planned products. 


Since the old German Acoustics was known for audio imports only, Odyssey Audio started as a manufacturing company as well as the importer for Symphonic Line . Thus, the Stratos amplifiers and the Tempest preamplifier were planned, designed, and manufactured in Indianapolis, Indiana. Over the past year, Odyssey Audio also started to offer the Khartago and Kismet amplifiers.


Odyssey Audio is from Indiana, USA. 


 Stratos HT-3 Plus SE Power Amplifier
  • 3 x 150 Watts RMS @ 8 Ohms
  • 2 Ohm load stable
  • Class A/AB
  • 2 - 400,000 Hz frequency range
  • 180,000µF memory (total)
  • 45 amps current delivery
  • <0.04% THD (not audible)
  • >500 continuous damping factor
  • Input impedance 22K ohms
  • DC offset <1 mV
  • RCA & XLR (bridged) inputs
  • 2 x 400 VA Plitron transformer (800VA total)
  • Sanken Epitaxial Planar Transistors 2SA1216 & 2SC2922
  • Anti vibration dual thickness PCB
  • Power consumption when idle ±30Watts
  • 4 internal fuses 250V/6.3A, 5x20mm, fast blow
  • Additional electrical protection fuse
  • >59 lbs weight / >27 kg
  • Dimensions: 19 width x 18 deep x 7 height (in) /
    48.3 width x 45.7 deep x 17.8 height (cm)
  • Price: RM 9,700
 
Do contact us for more information. We are open on Sundays!